![]() The Sony A7iii is undoubtedly one of the best full-frame mirrorless cameras of its time Exposing SLOG (PP 7, 8 or 9). can lightning strike a So to help those with Slog3 capability (including Sony A7S II, FS5 & FS7 shooters) discover LUTs that DO play nicely with Slog3, I prepared this simple “ LUT Shootout. This LUTs pack contains 25 Sony Slog3 Wedding LUTs and 25 Wedding Rec 709 LUTs. ly/3eOjjXx I'm shooting Sony FS7 Slog3 XAVC CineEI. The matrix settings inside Custom mode include one called (Sgamut3. Sony Natural LUT Pack | SLog2 & SLog3 to Enhanced Rec709 LUTs. ![]() to/38tOh60Buy the Sony 16-35gmaster here: 0 Comments Test footage was shot with a color card, which was used with DaVinci Resolve to generate output. So far I get the best results with Alister Chapman's basic AC_A7S_709_. To measure the brightness of a grey card, 41%. 3D LUTs can also be incorporated into CTL, so that could be an option as well. Plenty of examples below for you to check out. ![]() If you shoot SLog3 that’s totally fine, but you might need to add a little bit of extra contrast. ![]() You can select multiple clips to apply a LUT to all of them at once. I've tried James Miller's S-Gamut3/ S-Log3 S-Gamut3 is almost camera native color space, and wider than S-Gamut3. The new A7IV has exactly the same autofocus system as the A7S III and flagship A1, with 759 on-sensor phase-detect points, supported by 425 contrast detect points that work down to -4EV. ![]()
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